Mickael Bec Velazquez

Visual effects production for studio features, streaming originals, and formats that don't have a name yet. Bids and budgets, schedules, vendor contracts, and shot pipelines — the machinery that gets shots delivered, on time and on the number.

A show split across a dozen facilities or a single artist against a date: the job is the same. Make the plan real, keep the money honest, protect the schedule where it actually bends, and hand editorial finished shots nobody has to apologize for.

Recent work spans live-action VFX, hand-drawn and CG animation, stereo conversion, and immersive experiences built for headsets and for theme parks — formats where the pipeline usually has to be invented before the first shot can be tracked.

Alongside that, freelance physical production in the field for documentary series, producing in English, French and Spanish wherever the shoot lands.